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I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attitude toward life itself was wise, as was Dada’s.’ Hans Arp — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City - QuotesRead.com
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attit — Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
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I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attitude toward life itself was wise, as was Dada’s.’ Hans Arp

— Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
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More “Dada” Quotes

Pure love’ means that it never increases or decreases. If it does not decrease when you curse him and it does not increa — it is ‘Pure Love’. ‘Pure love’ is considered Paramatma prem (Love of God). That is indeed true religion.
Criminal’ pompousness will not do — ‘civil’ pompousness is acceptable.
We have not come [here] for fame — we have come [here] for the salvation of others.
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Civility must be a natural thing — all the rest is considered etiquette. The path of moksha [ultimate liberation] means there must be simplicity. There should be no ‘ghosts of etiquette’ there.
What is addiction? Only those that have been kept secret — are addictions. Those that are openly visible cannot be called addiction.
How can one go from good [auspicious state] to pure (state)? There are no words for it. It will happen when the Gnani Pu — it will happen when He bestows God’s grace upon you.
Patience is not something that you keep — patience is something that you learn. How is patience learnt? By sitting with those who have patience and by observing those who have patience.
I’ is Absolute — it has been possessed by the ghosts of ‘my’!
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There is no such thing as ‘right’ or ‘wrong’ in the world whatsoever. It is just the impurity of the vision. It is indee — it is indeed a poisoned vision.