We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
We view art in order to escape our own skins, to get outside of the commotion inside our skulls. — Kilroy J. Oldster, Dead Toad Scrolls
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We view art in order to escape our own skins, to get outside of the commotion inside our skulls.

— Kilroy J. Oldster, Dead Toad Scrolls
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