If a writer has the desire to communicate by writing and be heard, then he necessarily cares about seeing it in print. I — Edmund White, City Boy: My Life in New York in the 1960s and 70s

If a writer has the desire to communicate by writing and be heard, then he necessarily cares about seeing it in print. I — Edmund White, City Boy: My Life in New York in the 1960s and 70s

If a writer has the desire to communicate by writing and be heard, then he necessarily cares about seeing it in print. I — Edmund White, City Boy: My Life in New York in the 1960s and 70s

If a writer has the desire to communicate by writing and be heard, then he necessarily cares about seeing it in print. I — Edmund White, City Boy: My Life in New York in the 1960s and 70s

If a writer has the desire to communicate by writing and be heard, then he necessarily cares about seeing it in print. I — Edmund White, City Boy: My Life in New York in the 1960s and 70s

If a writer has the desire to communicate by writing and be heard, then he necessarily cares about seeing it in print. I suppose it's the difference between masturbation and making love—the real writer wants to touch another person.

— Edmund White, City Boy: My Life in New York in the 1960s and 70s

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