The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharin — W.H. Auden
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The identification of fantasy is always an attempt to avoid one's own suffering: the identification of art is the sharing in the suffering of another.

— W.H. Auden
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