cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an even — Harold Rosenberg
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cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event

— Harold Rosenberg
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