When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, — Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
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When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.

— Madeleine L'Engle, Walking on Water: Reflections on Faith and Art
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