Open up allowing the temporal and eternal self to dance deeper into the conversation. — Gillian Elizabeth
Open up allowing the temporal and eternal self to dance deeper into the conversation. — Gillian Elizabeth
Open up allowing the temporal and eternal self to dance deeper into the conversation. — Gillian Elizabeth
Open up allowing the temporal and eternal self to dance deeper into the conversation. — Gillian Elizabeth
Open up allowing the temporal and eternal self to dance deeper into the conversation. — Gillian Elizabeth
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Open up allowing the temporal and eternal self to dance deeper into the conversation.

— Gillian Elizabeth
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More “Consciousness” Quotes

To understand the ‘wounded men’ of Upper Palaeolithic art, I now consider somatic hallucinations; these include attenuat — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
Shamans submit to death in order to serve their communities. — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
The Upper Palaeolithic figures known as ‘wounded men’ occur at Cougnac and Pech Merle, two sites in the Quercy district — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
The ‘wounded men’ may, I argue, represent a form of shamanistic suffering, ‘death’ and initiation that was closely assoc — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
Sexual arousal and penal erections are associated with both altered states of consciousness and sleep. — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
It is the task of San shamans to activate their supernatural potency, to cause it to ‘boil’ up their spines until it exp — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
Perception is like painting a scenery - no matter how beautifully you paint, it will still be a painting of the scenery, — Abhijit Naskar, Human Making is Our Mission: A Treatise on Parenting
According to Martindale’s view, as we drift into sleep we pass through: – waking, problem-oriented thought, – realistic — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
In altered states of consciousness, the nervous system itself becomes a ‘sixth sense’ that produces a variety of images — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
The behaviour of the human nervous system in certain altered states creates the illusion of dissociation from one’s body — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
San religion is built around belief in a tiered universe. As do other shamanistic peoples throughout the world, the San — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
There were at least four contexts in which San shamans acquired insights into the spiritual world: – the trance dance, – — James David Lewis-Williams