When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal represen — Robert Smithson
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When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us.

— Robert Smithson
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