I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I s — Mary Ellen Mark
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I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I see more in black and white - I like the abstraction of it.

— Mary Ellen Mark
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More “Black and white” Quotes

There's a generation of children who don't like black and white movies. There's a level of impatience or intolerance now — Peter Jackson
100 years ago, movies were black-and-white, silent, and 16 frames a second. So 100 years from now, what are they going t — Peter Jackson
I love to unwind and watch movies, especially those from the classic black-and-white era. — Fred Savage
I grew up watching old black and white movies where Marlene Dietrich or Jean Harlow would go walking down some cobblesto — Ellen Greene
My entertainment was going to the local dollar movie theatre on the weekend, where I watched old black and white movies. — L'Wren Scott
When movies first came out, maybe they were in black and white and there wasn't any sound and people were saying the the — Hans Zimmer
We have a vision of South Africa in which black and white shall live and work together as equals in conditions of peace — Oliver Tambo
Life isn't black and white. It's a million gray areas, don't you find? — Ridley Scott
I used to rely on black-and-white, and while I was working on 'Smile,' I learned to adapt to color on my end. — Raina Telgemeier
When I was a kid, I knew the black and white version of 'Jane Eyre,' and I guess I became interested in the idea of roma — Cary Fukunaga
I'd like to be played as a child by Natalie Wood. I'd have some romantic scenes as Audrey Hepburn and have gritty black- — Gloria Steinem
The other two things are... well, I had a huge appetite for old black and white movies on BBC 2. At the weekends they us — Ewan McGregor