It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that i — James Levine
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It has to be able to play at the maximum expression and communication in every style, and the only way you can do that is - like Verdi said - working with a file, every day, little by little, until the orchestra's collective qualities emerge.

— James Levine
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