The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. A — William Friedkin
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The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. And in order to do that, you have to communicate, communicate with the actors. And direction is about communication on all levels.

— William Friedkin
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