The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Be — Jacques Barzun, Simple and Direct: A Rhetoric for Writers
Download Customize

The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Being adults, they had forgotten what every child understands, which is giving and taking a meaning is not automatic and inevitable

— Jacques Barzun, Simple and Direct: A Rhetoric for Writers
Pin Share Tweet Telegram
Topics
writing craft

More “Writing craft” Quotes

Writing is a bitch. It's an itch that I love to scratch. — Ana Claudia Antunes, ACross Tic
If a pen can communicate our thoughts, dreams, and emotions and be the voice of our soul, then ink is the medium that ca — Fennel Hudson, A Writer's Year - Fennel's Journal - No. 3
Each time I write, I reaffirm my soul. — Rob Bignell, Editor, Writing Affirmations: A Collection of Positive Messages to Inspire Writers
On a related note, I think for many of us, the first step in becoming a good writer is to write crap. In all seriousness — Jim C. Hines, The Prosekiller Chronicles: Rise of the Spider Goddess -- An Annotated Novel
...ugly interlopers threaten to choke off your story, depriving it of much-needed nutrition, sunlight and water. Identif — Rob Bignell, Editor, Writing Affirmations: A Collection of Positive Messages to Inspire Writers
*Persistence is more important than perfection. If at first you don’t succeed, it doesn’t matter as long as you always t — Johnny B. Truant, Sean Platt, David W. Wright
Authors - trust in your vision. — V.M. Sawh
You know what I did after I wrote my first novel? I shut up and wrote twenty-three — Michael Connelly
I am often told that the model of balance for the novelist should be Dante, who divided his territory up pretty evenly b — Flannery O'Connor, Mystery and Manners: Occasional Prose
Storytellers don't show, they tell. I'm sticking with that. — Ashly Lorenzana
She logged in and read a few of her old posts, smiling at the issues she had raged about and shaking her head at how som — Shweta Ganesh Kumar, A Newlywed’s Adventures in Married Land
Sometimes writing is just rubbing words together long enough to make a fire. — Gillian Marchenko, Sun Shine Down: A Memoir