...the movies are most people's exposure to ideas about the future. — Gregory Benford, The Martian Race
...the movies are most people's exposure to ideas about the future. — Gregory Benford, The Martian Race
...the movies are most people's exposure to ideas about the future. — Gregory Benford, The Martian Race
...the movies are most people's exposure to ideas about the future. — Gregory Benford, The Martian Race
...the movies are most people's exposure to ideas about the future. — Gregory Benford, The Martian Race
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...the movies are most people's exposure to ideas about the future.

— Gregory Benford, The Martian Race
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More “Movies” Quotes

If these Mount Everests of the financial world are going to labor and bring forth still more pictures with people being — Gregory Peck
Jane reminds us that God is in his heaven, the monarch on his throne and the pelvis firmly beneath the ribcage. Apparent — Emma Thompson, The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film
The problem with being a second-generation Californian is you're not objective about California itself. I think a lot of — Barbara Isenberg, State of the Arts: California Artists Talk about Their Work
Is it safe? — William Goldman, Marathon Man
You invaded Narnia. You have no more right leading than Miraz does. Peter Pevensie: You, him, your father! Narnia's bett — C.S. Lewis
The worst thing about movie-making is that it's like life: nobody can go back to correct the mistakes. — Pauline Kael, Kiss Kiss Bang Bang: Film Writings, 1965-1967
I seem finally to have stopped worrying about Elinor, and age. She seems now to be perfectly normal -- about twenty-five — Emma Thompson, The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film
We've hired the calmest babies in the world to play the hysterical Thomas. One did finally start to cry but stopped ever — Emma Thompson, The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film
(On period costume posture coaching:)"We all stand about like parboiled spaghetti being straightened out. — Emma Thompson, The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film
Our first point of discussion is the hunt. (...) My idea is to start the film with an image of the vixen locked out of h — Emma Thompson, The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film
Shooting Willoughby carrying Marianne up the path. They did it four times. 'Faster,' said Ang [Lee]. They do it twice mo — Emma Thompson, The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film
It starts so young, and I'm angry about that. The garbage we're taught. About love, about what's "romantic." Look at so — Deb Caletti, The Secret Life of Prince Charming