Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratit — Robert Hughes, The Shock of the New
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Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratitude.

— Robert Hughes, The Shock of the New
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More “Machines” Quotes

For God’s sake, let us be mennot monkeys minding machinesor sitting with our tails curledwhile the machine amuses us, th — D.H. Lawrence, Selected Letters
Our inventions have long been ahead of us in terms of efficiency and sanity, productivity and predictability. Oh, how we — Amy Leach, Things That Are
These robots are literally inhuman, and yet I react no differently to their stumblings and topplings than I would to the — Mark O'Connell, To Be a Machine: Adventures Among Cyborgs, Utopians, Hackers, and the Futurists Solving the Modest Problem of Death
It is up to us to decide what human means, and exactly how it is different from machine, and what tasks ought and ought — Howard Rheingold, Tools for Thought: The History and Future of Mind-Expanding Technology
I did not fear that I might tread upon a live rail and be killed. I feared something far more intangible-doing what was — E.M. Forster
I've heard my teacher say, where there are machines, there are bound to be machine worries; where there are machine worr — Zhuangzi, The Complete Works of Chuang Tzu
If achieving world peace and ending poverty were really genuine concerns to the majority, then they would have happened — Suzy Kassem, Rise Up and Salute the Sun: The Writings of Suzy Kassem
Among all the machines, motorcar is my favorite machine. — Amit Kalantri, Wealth of Words
What had he said about machines?”Block was not entirely sure about that. Something about their eventually being able to — David Lagercrantz, Fall of Man in Wilmslow
It is inevitable that machines will one day become the ultimate enemies of mankind. We are not evolving or progressing w — Suzy Kassem, Rise Up and Salute the Sun: The Writings of Suzy Kassem
Man kept control over the machines he created, I wish God would have done the same with the man he created. — Amit Kalantri
At home I am a man, at work I am a machine. — Amit Kalantri, Wealth of Words