One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day — Albert Camus, The Fall
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One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day.

— Albert Camus, The Fall
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More “Camus” Quotes

Thinking of the future, establishing aims for oneself, having preferences—all this presupposes a belief in freedom, even — Albert Camus, The Myth of Sisyphus
Some have speculated that the way [Albert] Camus died made his theories on absurdity a self-fulfilling prophecy. Others — Aberjhani, Illuminated Corners: Collected Essays and Articles Volume I.
Camus and Henry waved to me from that muddy truck. They both wanted me to get over myself.So, this was me, getting over — Laura Anderson Kurk, Perfect Glass
I hope the dogs don't bark tonight. I always think it's mine — Albert Camus, The Stranger
Against eternal injustice, man must assert justice, and to protest against the universe of grief, he must create happine — Albert Camus
Any country where I am not bored is a country that teaches me nothing. — Albert Camus
What gives value to travel is fear. It is the fact that, at a certain moment, when we are so far from our own country … — Albert Camus, Notebooks, 1935-1951
It is not humiliating to be unhappy. Physical suffering is sometimes humiliating, but the suffering of being cannot be, — Albert Camus, Notebooks, 1935-1951
I can't help what I have any more than you can help what you don't — Neal Shusterman, UnSouled
People can think only in images. If you want to be a philosopher, write novels. — Albert Camus, Notebooks, 1935-1951
We can act only in our time, among the people who surround us. We shall be capable of nothing until we know whether we h — Albert Camus, The Fastidious Assassins
In the world there is, parallel to the force of death and constraint, an enormous force of persuasion that is called cul — Albert Camus, Notebooks 1951-1959