The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the press — Umberto Eco, The Name of the Rose
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The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the pressure of a body. At times it reproduces the impression a body has left in our mind: it is the print of an idea.

— Umberto Eco, The Name of the Rose
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More “Ideas” Quotes

If you want to have clean ideas, change them as often as your shirt. — Francis Picabia
Studies have shown that 90% of error in thinking is due to error in perception. If you can change your perception, you c — Edward de Bono
I tend to arrive in the rehearsal process with very strongly developed ideas about what I want to do. But I don't like t — Trevor Nunn
The cartoon is a metaphor really for the fact that it's almost impossible in our celebrity obsessed culture to move arou — Damon Albarn
I don't have ideas so much as there are things which constantly evolve... there are various threads or layers, if you li — Harrison Birtwistle
We're constantly re-evaluating the potential for life. We're finding it where we didn't think it could exist, such as vo — Joe Rogan
I try to push ideas away, and the ones that will not leave me alone are the ones that ultimately end up happening. — J. J. Abrams
I believe that if it were possible to scrap the whole of existing literature, all writers would find themselves inevitab — J. G. Ballard
The ideas of the ruling class are in every epoch the ruling ideas, i.e., the class which is the ruling material force of — Karl Marx
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Usually my ideas for work have revolved around my interest in people, especially people that live on the edges of societ — Mary Ellen Mark
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