We are the guardians of our beings. — Tehya Sky
We are the guardians of our beings. — Tehya Sky
We are the guardians of our beings. — Tehya Sky
We are the guardians of our beings. — Tehya Sky
We are the guardians of our beings. — Tehya Sky
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We are the guardians of our beings.

— Tehya Sky
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The Upper Palaeolithic figures known as ‘wounded men’ occur at Cougnac and Pech Merle, two sites in the Quercy district — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
The ‘wounded men’ may, I argue, represent a form of shamanistic suffering, ‘death’ and initiation that was closely assoc — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
Sexual arousal and penal erections are associated with both altered states of consciousness and sleep. — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
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Perception is like painting a scenery - no matter how beautifully you paint, it will still be a painting of the scenery, — Abhijit Naskar, Human Making is Our Mission: A Treatise on Parenting
According to Martindale’s view, as we drift into sleep we pass through: – waking, problem-oriented thought, – realistic — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
In altered states of consciousness, the nervous system itself becomes a ‘sixth sense’ that produces a variety of images — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
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San religion is built around belief in a tiered universe. As do other shamanistic peoples throughout the world, the San — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
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The principal aim of a vision quest is to ‘see’ a spirit animal that will become the quester’s animal-helper and source — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
Entering a cave” or rock was a metaphor for a shaman’s altered state; therefore, caves (and rocks more generally) were c — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art