I now argue that entry into Upper Palaeolithic caves was probably seen as virtually indistinguishable from entry into th — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art

I now argue that entry into Upper Palaeolithic caves was probably seen as virtually indistinguishable from entry into th — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art

I now argue that entry into Upper Palaeolithic caves was probably seen as virtually indistinguishable from entry into th — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art

I now argue that entry into Upper Palaeolithic caves was probably seen as virtually indistinguishable from entry into th — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art

I now argue that entry into Upper Palaeolithic caves was probably seen as virtually indistinguishable from entry into th — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art

I now argue that entry into Upper Palaeolithic caves was probably seen as virtually indistinguishable from entry into the mental vortex that leads to the experiences and hallucinations of deep trance.

— James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art

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consciousness upper palaeolithic art