Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the — Alan Moore, Voice of the Fire
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Trust in the fictive process, in the occult interweaving of text and event must be unwavering and absolute. This is the magic place, the mad place at the spark gap between word and world.

— Alan Moore, Voice of the Fire
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