The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at al — Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
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The question of what exactly we remember when we listen to old recordings, or whether it can be called remembering at all, becomes less and less answerable over a lifetime.

— Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears
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More “Memory” Quotes

We are the only species on the planet, so far as we know, to have invented a communal memory stored neither in our genes — Carl Sagan
What is it like to wear another person’s skin?”“I don’t have a good answer for that,” I said. “It hurts.”“Can you rememb — Andrew Davidson, The Gargoyle
You know the saying a rolling stone gathers no moss? I'm the opposite. I've gathered too much, and when one thing happen — Jane Devin, Elephant Girl: A Human Story
I knew that I would know more dead people. The bodies pile up. Could there be a space in my memory for each of them, or — John Green, Looking for Alaska
Every person is destroyed when we cease to see him; after which his next appearance is a new creation, different from th — Marcel Proust, Remembrance of Things Past: Volume I - Swann's Way & Within a Budding Grove
It was clear that he didn't remember me from one day to the next. The note clipped to his sleeve simply informed him tha — Yōko Ogawa, The Housekeeper and the Professor
You’re with a girl. She’s brown-haired and side-swept. I imagine that she’s the kind of girl who can easily shop for jea — Joy Wilson
I'm in the back of a limousine with Charlie Chaplin and it’s 1928. Charlie is beautiful; his body language seems to skip — Geoff Ryman, Paradise Tales: and Other Stories
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