The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self — Minae Mizumura, The Fall of Language in the Age of English
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The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self-expression or the representation of reality, but as a medium one must struggle with to make it do one's bidding.

— Minae Mizumura, The Fall of Language in the Age of English
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It's embarrassingly plain how inadequate language is. — Anthony Doerr, All the Light We Cannot See
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