In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which — Ayn Rand, The Romantic Manifesto
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In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which is not worth contemplating in life, is not worth re-creating in art.

— Ayn Rand, The Romantic Manifesto
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