Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for — Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
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Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for different means by which to explore reality itself.

— Michael Richardson, Dedalus Book of Surrealism 2: The Myth of the World
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