The mind is created when the universal consciousness conforms to societal consciousness. — Debasish Mridha
The mind is created when the universal consciousness conforms to societal consciousness. — Debasish Mridha
The mind is created when the universal consciousness conforms to societal consciousness. — Debasish Mridha
The mind is created when the universal consciousness conforms to societal consciousness. — Debasish Mridha
The mind is created when the universal consciousness conforms to societal consciousness. — Debasish Mridha
Download Customize

The mind is created when the universal consciousness conforms to societal consciousness.

— Debasish Mridha
Pin Share Tweet Telegram
Topics
consciousness debasish mridha debasish mridha m d inspirational philosophy quotes societal consciousness the mind

More “Consciousness” Quotes

In southern Africa, a great many figures are ithyphallic. This feature has generally – and rather vaguely – been taken t — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
For the makers, the paintings and engravings were visions, not representations of visions. — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
In Lascaux and other sites, hoofs are depicted to show their underside, or hoofprint. — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
Under certain social circumstances, which may have varied from time to time and place to place, certain people (shamans) — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
The portable animal statuettes were therefore far more than decorative trinkets: they were reified three-dimensional spi — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
I now argue that entry into Upper Palaeolithic caves was probably seen as virtually indistinguishable from entry into th — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
Certainly, the sensory deprivation afforded by the remote, silent and totally dark chambers, such as the Diverticule of — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
To understand the ‘wounded men’ of Upper Palaeolithic art, I now consider somatic hallucinations; these include attenuat — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
Shamans submit to death in order to serve their communities. — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
The Upper Palaeolithic figures known as ‘wounded men’ occur at Cougnac and Pech Merle, two sites in the Quercy district — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
The ‘wounded men’ may, I argue, represent a form of shamanistic suffering, ‘death’ and initiation that was closely assoc — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
Sexual arousal and penal erections are associated with both altered states of consciousness and sleep. — James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art