There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it — Clarice Lispector, Near to the Wild Heart
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There were two ways of looking at it: imagining that it was far away and big, in the first place; in the second, that it was small and near. But at any rate, a stupid, hard, brown mountain. How she hated nature sometimes.

— Clarice Lispector, Near to the Wild Heart
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